Showing posts with label Selected Poems. Show all posts
Showing posts with label Selected Poems. Show all posts

02 April 2009

National Poetry Month

The second poem in our National Poetry Month series is from a new Selected Poems by the British Columbia writer Robert Bringhurst. The first sheets of this book have just made it onto the printing press, so it will be a couple of weeks yet before it’s in circulation. We have, however, just released a new edition reprint of his polyphonic masque Ursa Major.
— AS


Finch
Robert Bringhurst

I keep a crooked wooden bowl
half full of birdseed in the garden,
where the siskins and the finches,
crossbills, cowbirds, chickadees
and red-winged blackbirds meet.

Each day among the finches
there is one – a female house finch,
Carpodacus mexicanus, I believe –
who must have tangled with a predator,
or maybe with a truck.

Not one among the others acts
concerned. No one seems, in fact,
to notice the black cavity that once
was her right eye, the shattered
stump that used to be her upper beak.

And no one gawks or whispers
at the awkward sidewise motion
that enables her to eat. And no one
mocks, crunching a sunflower seed,
her preference for millet.

Where ostracism, charity or pity
might have been, there is reality
instead. I mean that their superlative
indifference is a kind of moral
beauty, as perfect as the day.

If the red-tailed hawk comes by,
or the neighbor’s cat, they mention
that to one another and are gone.
They also say hello; they say I am;
they say We are; they say Let’s finch

and make more finches. But I never
hear them talk of one another.
They speak of what they are, not who
they do or do not wish to be.
That is a form of moral beauty

too, as perfect as the day. Which is
to say they sing. By nothing
more than being there and being
what they are, they sing.
They sing. And that is that.

Copyright © Robert Bringhurst, 2009.
















Robert Bringhurst with typographer Glenn Goluska

15 January 2009

Andrew's Printshop Review
















Things are getting busy in the printshop again after a bit of a break over the Christmas holiday. As usual, there are many different projects at many different stages, but my main focus at the moment is on designing the guts of new poetry books by Tonja Gunvaldsen Klaassen and Carmine Starnino, and the jacket for Robert Bringhurst’s Selected Poems. Kate and I are also trying to get the spring catalogue to press – which is several weeks overdue on my account. I’ve been distracted with both commercial design jobs and the production of two letterpress books.

















This week I started to print the green ‘spot’ colour on our forthcoming letterpress book, Walking, an essay by Henry David Thoreau. The printing of the text is complete, and after I print all the drop capitals and such I’ll be ready to print Wesley Bate’s three engravings from the blocks. The paper is a wonderful German sheet called Biblio. The green is PMS 443, a selection inspired by Rockwell Kent.

















Speaking of letterpress books, the printing of Don McKay’s The Muskwa Assemblage is complete, but we’re still trying to find time to make the paper for the jacket. More accurately, as I told Don, we’re still trying to find time to make the equipment we need to make the paper for his jackets. I’ll include some pictures of our papermaking process in a forthcoming post. In the meantime, Don was good enough to send us some cotton fibre to help make the paper for his book jackets – an old pair of his own blue jeans.