Alcuin Dinner in Toronto

We got a nice package in the mail this week from Stefan Rose, author of The House That Stands, a book which I designed for Thaddeus Holownia at Anchorage Press last year. It was one of the six books that I designed at Gaspereau Press that was recognized by the Alcuin Society in its annual Canadian book design competition. Stefan attended the Alcuin awards dinner at the Arts and Letters Club in Toronto a few weeks ago and was kind enough to gather up our certificates and mail them to us. Never one to neglect to offer of a free meal in lean times, I asked wood engraver and long-time collaborator Wesley Bates to attend the dinner in my place. His report, in part, follows:

“It was a great honour to be your stand-in last night. You and Gaspereau were the darlings of the event. I got to stand at the front and receive four awards in a row for you. More that any other press. Bravo! As for me, well, I was warmed to the core in the spotlight that was cast on Gaspereau. I met people that I hadn’t seen in years. The meal was lovely. I had never been in the Arts & Letters Club before and Don McLeod of the Devil’s Artisan journal gave me a tour of the building. I had a little acceptance speech worked out but they didn’t give anyone the mic so I just smiled and waved at everyone for you. – Wes”

You can find out more about Wesley Bates by visiting his web site or dropping in to his gallery on the main drag in Clifford, Ontario. You can also read about his experiences as a wood engraver in his recently published book In Black & White, which was one of the books which was recognized for its design at the Alcuin dinner.

You can find out more about the Alcuin society by visiting their web site.

A.S.

The Creatured Letter

The other day I went poking around in the Acadia University archives in order to photograph some materials for a print client. The manuscript in question was an autograph transcription of the journal of the New Light evangelist, itinerate preacher and hymn writer Henry Alline (1748–84). Though not a Baptist himself, Alline had a great influence on the establishment of that denomination in the Maritimes. He was a bit of a loose canon, however, with more than a few unorthodox ideas; many in the established churches were suspicious of this young, golden-tongued upstart.



















The transcription of Alline’s journals was made by Handley Chipman (1717–99). A ‘New England planter’, Chipman moved to Kings County, Nova Scotia, from Newport, Rhode Island, in 1761. Settling in Cornwallis, he was elected Justice of the Peace, then Judge of Probate, a position which he maintained until his death and which, it appears, left him with sufficient leisure time for copying Alline’s diary. There was no photocopier, camera, or OCR scanner available to him in those days, and you wouldn’t engage a printer if your intention was simply to make one copy. You might engage a copyist, but it seems Chipman viewed this as a more personal tribute to Alline.

My hand cramped just looking at these pages. Notice the careful emendation on the left hand side of the spread (‘Thus’), the space-saving ampersands, and the clear craft and love of making letters evident in the curly extenders of letters like g and d (see ‘Kingdom’ on the right hand page).















Now, if the pen were in your hand, and you actually made it to page 102 of a handwritten manuscript, do you think that you would still be making letters such as these – if you could make them so skillfully in the first place? These days, we live in a world of prefabricated letters, just as we live in prefabricated houses and eat prefabricated food. I wonder what is lost by having only to type one key to make such a letter appear on the screen, and another to reproduce it a thousand times over or to send it hurtling around the world? When we cease to shape our own letters, do we lose something of what they represent?

The penultimate line in Douglas Lochhead’s suite of poems, Homage to Henry Alline is: “The creatured universe is a little song of love.” And so is the creatured letter.

AS

Tonja Gunvaldsen Klaassen in Berwick

Tonja Gunvaldsen Klaassen read from her new collection of poetry, Lean-To, earlier this month at Glad Gardens Family Farm Market & Greenhouses in Berwick, Nova Scotia.

Photo Credit: Jocelyn Doucette

John Kavanagh ¶ 1960–2009

A few weeks ago, local musician, bookseller and friend of the press John Kavanagh suffered an asthma attack while swimming at White Point, Nova Scotia. He died several days later in hospital. John was perhaps best know as a ukulele player, and performed tunes from his expansive, eclectic repertoire of classical, rag-time and popular music at a number of Gaspereau Press events, including the 2008 Wayzgoose.

In tribute to John, I’ve designed and printed a letterpress broadside based on one of John’s frequently performed pieces, “Simon Smith & His Amazing Dancing Bear.” You can find a video of John performing this song at the following link:

John Kavanagh/Simon Smith and His Amazing Dancing Bear

There will be a memorial concert for John at the Rose Creek Center for the Arts on Saturday June 13. You can find information about this event at:

John Kavanagh Memorial Concert

– AS